COMING SOON!!

New Plays that will be released in the coming months (Release Date Subject to Change)

LINKS ARE ACTIVE ON ALL TITLES AVAILABLE FOR PREORDER!!!!

FEB 2027

  • ARLO WHITTAKER AND THE VIOLA VERDICT by David Taylor Little

A group of foster siblings in Ft. Wayne, Indiana, slip into the night with trash bags, what little they own, and a trusty copy of The Boxcar Children. Having learned they were soon to be separated, they decided to take matters into their own hands. Ren and her three foster siblings walk through the night, braving highways and passing cars, before crossing into the woods to sleep. In the morning, they discover an empty treehouse nearby. But empty doesn’t always equal abandoned, and before long, the owners of the mysterious treehouse return and everyone’s lives are changed. Boxcar Kids is a nostalgic nod to the 90s: to pre-teen dreams of freedom, hot and sweaty summers, and the perils of growing up.

  • Cast Size: 5M 6W 
  • Running Time: Under an Hour
  • $40 per performance

In 1867, sisters Brandy and Cecelia Pursuant have traded saloon life for silver stakes and six-shooters, becoming feared vampire hunters of the Wild West. While tracking Eileen Champion, the last surviving vampire from Empire Valley, Cecelia is captured and taken to Transylvania—to Count Dracula himself. Brandy soon discovers a horrifying truth: she and Cecelia are Dracula’s daughters. To rescue her sister, Brandy allows Eileen to turn her into a half-vampire, then journeys across the Atlantic with Eileen and the unhinged Man. Inside Dracula’s castle, Brandy finds Cecelia transformed into a vampire bride and must battle Dracula’s deadly followers while fighting to keep her own humanity. Brandy and Cecelia: Vampire Hunters is a horror-comedy Western about sisterhood, identity, blood, and refusing to inherit evil.

  • Cast Size: 8M 6W 8GN
  • Running Time: 90+ minutes
  • Royalty Rate: $75 per performance
  • CRACK THE DOOR FOR SOME AIR by Dr. Mary Weems

Echoes Without Voices tells the story of Margot Frank, Anne’s older sister, whose diary was never found and whose voice was lost to time. While Anne’s words have reached millions, Margot’s thoughts, dreams, and hopes remain forever unheard. Her story, like so many others, was lost in the tragedy of the Holocaust, leaving behind words that will never be read and a life we will never fully know. Margot was more than Anne’s sister. She was a young woman with a voice of her own, and dreams of a future she would never see. In remembering Margot, we also pay tribute to the six million other Jews whose voices were silenced forever, leaving echoes of lives the world must never forget.

  • Cast Size: 5M 8W 
  • Running Time: 40 minutes
  • Royalty Rate: $40 per performance

  • THE EULOGY by Jill Bradley
  • FRANKENSTEIN by Alexander Attea
  • THE HUNGER FEAST by Kenneth Robbins

After readmitting his schizophrenic mother, Michael struggles under the weight of being both a parent and a child. At school, he’s an outsider. At home, he battles the intense headaches that have haunted him for months. Then he meets Lily, a girl who understands what it’s like to live with a schizophrenic parent. As Michael’s headaches grow worse, strange things begin appearing just beyond the corner of his eye. When Lily convinces him to seek help, Michael discovers that his world may not be what it seems. What is real? Who can he trust? And can he find his way back to the light? Join Michael on a journey of fear, friendship, and hope as he discovers life is full of possibilities.

  • Cast Size: 1M 3W 5GN
  • Running Time: 40 minutes
  • Royalty Rate: $40 per performance
  • THE NIGHTMARE by Alec Barbour

“Passing Wind” is an uproarious farce that defies convention by tearing down not only the fourth wall but the fifth wall as well, plunging into screwball madness. Two brothers join a caravan of characters who find themselves entangled in a play within a play within a world their fictional minds can scarcely grasp. Upon revealing themselves all to be playwrights who have authored the same play, they soon discover their scripts are merely props — a title page followed by 110 blank sheets. An off-Broadway producer, an eccentric British couple, and a band of bumbling terrorists round out the mayhem. The group spirals into a battle over copyright ownership, only to be interrupted by the arrival of the actual playwright — who claims authorship of their entire world.

  • Cast Size: 6M 2W 2GN
  • Running Time: 90+ minutes
  • Royalty Rate: $75 per performance
  • SECOND BANANA by Brent Alles
  • SIX CHARACTERS IN SEARCH OF AN AUTHOR by Luigi Pirandello, Adapted by Neal Bell and Francesca Magario

It’s Yule in Iceland and Anna has three days to save her family from a terrifying troll who has come to collect an old debt. If Anna can’t fill Gryla’s enormous cauldron, her little brother could become dinner for the legendary Yule Cat! Her only hope? Iceland’s twelve mischievous Yule Lads—who would much rather cause trouble than help anyone. Anna cooks up a clever plan involving a magical story soup, a stolen pantry, a greedy miller, and a cat with a serious appetite. With folklore and fairy tales spilling onto the stage, Story Soup: Anna and the Yule Lads is a fast-moving, funny holiday adventure filled with colorful characters, ensemble opportunities, and a heartwarming celebration of family, imagination, and the power of a good story

  • Cast Size: 2M 3W 14GN
  • Running Time: 40 Minutes
  • Royalty Rate: $40 per performance
  • TALES OF PROM by Rob Matsushita

This three-character drama is based on the true-life relationship between the great composer Peter Tchaikovsky and the two women in his life, Madame Von Meck who is his very religious benefactor and Nina is his young unstable wife. Peter is not in love with either, but another person, a handsome young man. Imagine the torment you’d experience if you were in love with one person, but had to marry someone else to avoid a scandal. Now add the disaster and humiliation when your patroness, a deeply devout woman, discovers you are gay. As the play shows in a highly dramatic way Tchaikovsky’s these complex relationships inspire some of his greatest works.

  • Cast Size: 1M 2W
  • Running Time: 30 minutes
  • Royalty Rate: $40 per performance

A romantic weekend at a secluded island cabin takes a dark turn when an uninvited family member and her teenage son are already in residence. As personal tensions rise, the cabin becomes a battleground for clashing worldviews—science and faith, freedom and control, reality and delusion. With the looming arrival of an apocalyptic religious group, long-buried secrets surface, and everyone must confront what they believe—and what they’re willing to leave behind.

  • Cast Size: 2M 2W
  • Running Time: 90+ minutes
  • Royalty Rate: $75 per performance

The narrative takes place during the current war in Ukraine. A mosaic-format play about the effects of war on Ukrainian women, this play consists of a tapestry of stories that together explore the social effects of Russia’s invasion on Ukrainian society. The play includes a wide variety of stories — stories of women who evacuated to save their children, stories of women who stayed and joined the defense efforts, stories of women-caretakers who couldn’t leave because of vulnerable members in their families, stories of women who lived under the Russian occupation, and stories of women who lost their loved ones.

  • Cast Size: 1M 5W
  • Running Time: 90+ minutes
  • Royalty Rate: $75 per performance

MAR 2027

  • ALAN LOVES AUDREY by Dennis Bush
  • CLUB HELL by Jordan Beswick

In a nursing home in the Central Valley of California, Jack, an aging gay activist and theatrical veteran, has decided to end his life by refusing food. Josh, his young gay doctor, wants to know why. In their afternoon of conversation and four flashbacks from Jack’s life (San Francisco, ’73, Fire Island, ’78, New York City, ’87 and ’90), Josh comes to understand the “play” in which Jack feels the “dramatic arc of his character” is now complete. The stage has featured gay liberation, AIDS, the threat of homophobia, toxic masculinity and the brilliance possible when you can break the rules. Also drag queens. In Josh, Jack finds reassurance of a sequel, though one no less fraught with challenge or gifted with hope and beauty.

  • Cast Size: 5M
  • Running Time: 90+ minutes
  • Royalty Rate: $75 per performance
  • THE END IS NIGH (AND YET, SO FAR) by Greg Mandryk

Mallory Barnes is a successful writer who has returned to her childhood home to spend the summer with her sisters, Grace and Audrey. Upon her return, she is shocked to discover that Audrey is in an abusive relationship with her husband, Stephen, and refuses to press charges. Unable to get the police involved, Mallory can only watch helplessly as the situation takes a turn for the worse. It is then that she receives a shocking proposition from Grace, and before she knows it, finds herself the prime suspect in a heinous crime, and finds her life changing forever as a result.

  • Cast Size: 2M 4W
  • Running Time: 90+ minutes
  • Royalty Rate: $75 per performance

A mysterious woman shows up at a funeral and wails uncontrollably. She later arrives at the family home. Now, the family must discover her secret and navigate their own heartache.

  • Cast Size: 3M 4W 
  • Running Time: 90+ minutes
  • Royalty Rate: $75 per performance
  • A LETTER TO MY MOTHER AT THE END OF THE WORLD by Kemuel DeMoville

It’s the First Day of Spring in Desertville and handsome hero Lance Goodhart has fallen for the beautiful Amaryllis Cornflower. Unfortunately, Amaryllis may have to marry evil landlord, Ambrose Wormley, to save the family homestead. Lots of laughs and engaging songs in this whimsical small-cast Musial Melodrama.

  • Cast Size: 3M 4W
  • Running Time: 70 minutes
  • Royalty Rate: $75 per performance

We all know of Homer’s masterpiece, The Odyssey. In this adaptation, The Author – a character onstage who could be anyone – sets out to create and present their own version, told by himself AND the characters within the story. Homer’s tale is told from the original version up until the question is asked, “Who’s story is this, really? The author’s? The character’s? The listeners?” And in the end, this story that is so commonly known becomes a personal telling and understanding of that great and epic “Odyssey”. The adventures and tales of Odysseus, Athena, Polyphemus, Circe, Calypso and many, many others are not only told but created live in front of – and with – the audience.

  • Cast Size: 12M 10W (FLEXIBLE/DOUBLING)
  • Running Time: 90+ minutes
  • Royalty Rate: $75 per performance

A young King rules over a paper castle. A monster threatens his kingdom and those he loves. Missy, royal friend of King Will, tells his story in a book reading. It’s the story of King Will, his mother, Melody, and his fight with the Chimera. As Missy tells this fairy tale of King Will it becomes understood that underneath the guise of “once upon a time” there is a boy who is scared of what might happen to him. However, it’s the love that bonds us all that can give us the strength of thousands. It’s a tale of paper flowers, bells ringing, stars, swords of fire, blue jello, a ceiling made of book pages, and a young man fighting for those he loves.

  • Cast Size: 1M 2W
  • Running Time: 60 minutes
  • Royalty Rate: $75 per performance

Drawn from an abundance of primary historical sources (speeches, letters, sermons, songs, newspaper articles, memoirs, poems, and plays), Patriot Acts dramatizes America’s inspirational and event-filled journey to female enfranchisement, from 1776 to the present day, a quest that intersects with the larger one of securing America’s long-deferred dream of liberty and justice for all. Scenes feature a diverse host of celebrated and to-be-celebrated women as well as a coalition of men from equally diverse backgrounds, who marched, sang, wrote, rallied, went to prison, and rode horses down Fifth Avenue to win “the free delights of women’s rights!” The play’s conclusion highlights the ongoing need for “eternal vigilance” on the part of American citizens to safeguard the rights and privileges of democracy.

  • Cast Size: 7M 7W 7GN
  • Running Time: 90+ minutes
  • Royalty Rate: $75 per performance

Maureen Kelly, a once famous actress, is fiercely determined to make a comeback to Broadway in spite of a major obstacle she faces. Her struggling artist son, David, is forced to take on the role of her personal assistant and protector. When he attempts to dissuade his mother from returning to the stage, years of unresolved conflicts surface and their relationship deteriorates. To relieve the tension, David decides to hire Yumi, a marine biology student from Japan, to help run the Kelly household. A committed activist for saving the ocean and protecting sea life, Yumi unwittingly becomes the rescuer and catalyst for a new loving connection between mother and son.

  • Cast Size: 2M 2W
  • Running Time: 90+minutes
  • Royalty Rate: $75 per performance

  • UNDER THE FAIRIE TREE. by William L. Walker Montgomerie
  • THE VILLAIN’S SUPPER CLUB by Lila Rose Kaplan

Where He Goes, Where She Goes, (Following Dafoe) is a richly sophisticated comic-tragedy—or tragic comedy. Odysseus Faux, a declining former actor, saves a brown skinned man from drowning in moonlight, then fashions a Crusoe/Friday myth to their future, and so installs him as a manservant in his household, much to the chagrin of his wife, Merce, who performs as a cabaret artist under the name of “Roxana” and is stalked by a young Irish girl (Susan Barton) seeking admission into their household through their loyal maidservant, Amy. Blood, decapitations, incest & more! Much more.

  • Cast Size: 2M 3W
  • Running Time: 90+ minutes
  • loyalty Rate: $75 per performance

APR 2027

  • BURNING LEAVES by Tom Rowan

Scott is a middle-aged writer that has holed up for a weekend at a Gulf Coast beach house with an actress half his age. Before long, the quiet weekend becomes anything but as the twosome is interrupted by a trio of unexpected guests: his sister, her Theatre Professor, and a nosey neighbor from next door. As the long day spills into a long night, Scott finds himself in the middle of a hurricane of conflicts as the shifting seas of time, responsibility, and self-awareness descend upon the beach house by the bay.

  • Cast Size: 2M 3W
  • Running Time: 90+ minutes
  • Royalty Rate: $75 per performance

After serving a 10-year prison sentence for manslaughter, Kat returns home to the scene of events that changed the course of her life forever. As she searches for a way to make peace with her past, new revelations and unexpected family reunions clash with her long-held beliefs about her childhood. Much of the play exists in levels of memory and explores the complex way that memory and Post Traumatic Stress Disorder intersect. Chasing the River is a play about survival, second chances, making a bet on forgiveness – and the winning power of love.

  • Cast Size: 2M 4W
  • Running Time:90+ minutes
  • Royalty Rate: $75 per performance

An outrageous comedy drawing on Sigmund Freud’s own poetic words, collected in The Cocaine Papers, Freud on Cocaine explores the celebrated thinker’s passionate—and disastrous—love affair with cocaine. An ambitious young doctor, Freud believes this miracle drug will secure his fortune, win the woman he loves, and save his best friend, Ernst, from addiction to heroin and morphine. Instead, his experiments entangle his patients, his family, and Ernst in increasing chaos and danger, turning the dream into a nightmare. Blending historical record with irreverent humor, the play reveals the hidden story of one of the most important thinkers of the 20th century: a respected doctor, a loving husband, a devoted father—and a drug addict.

  • Cast Size: 3M 3W 1GN
  • Running Time: 90+ minutes
  • Royalty Rate: $75 per performance

The suicidal Maddy shows up on her estranged father’s front doorstep dragging her own murdered body claiming she’s invented time travel.

  • Cast Size: 1M 2W 
  • Running Time: 90+ minutes
  • Royalty Rate: $75 per performance

  • GREMLIN GIRL by John P. McEneny
  • HAPPY PILLS by Alyssa Cokinis
  • THE HELLO GIRLS by Grizzly K. Sunshine
  • IRREGULARS by David Adam Gill
  • JUDGEMENT OF THE EYE by Simon Bowler
  • THE RESOLUTE by Gabrielle Sinclair
  • THE SHERLOCK PROBLEM. by Susan Lumenello

Randall Scott – a grandfather in his seventies – lives alone in his old farmhouse in the quiet, wealthy suburb of Southlake, Texas. The same Randall Scott – a 20-something year old serviceman returns from Vietnam to his inherited farmhouse with his new wife, Rose. Young Randy struggles to adapt to his new life. Meanwhile, Randy the elder is confronted with the illness of his beloved granddaughter. As he navigates a path to deal with this heart-wrenching news, the story of his past and his missing wife is slowly unveiled. Randy’s past is haunted – literally – by the specter of his service in Vietnam and the influence it had on his present circumstance. A visit from an old Army buddy left for dead shakes young Randy to his core and leads to tragic consequence.

  • Cast Size: 4M 3W
  • Running Time: 90+ minutes
  • Royalty Rate: $75 per performance

Inspired by recurring nightmares and an old Tin Church, Parrish weaves a sultry Southern spell that begs the question: can the wheel of generational trauma ever stop spinning? Are families destined to repeat life’s tragedies? Tin Church is a Southern Gothic exploration of family secrets. Dreams and waking life collide in this dark comedy where demons come out to play in the Lowcountry South. Mary is the oldest. She has escaped her small southern town for the big city life. Mildred, her mother, has a big family and an even larger front porch. She spends her days stirring up the sweet tea and gossip with younger daughters Linda and Sue. Through a maze of memories, letters, and dreams, Tin Church takes us on a thrilling psychological exploration of things unsaid.

  • Cast Size: 4W 
  • Running Time: 90+ minutes
  • Royalty Rate: $75 per performance

MAY 2027

  • BROKEN by Will Carter

Review Coming Soon.

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