by Catherine Filloux
While Ingrid Betancourt, a former senator and anti-corruption activist, was running for President of Colombia, she was kidnapped by the Fuerzas Armadas Revolucionarias (FARC), a Marxist revolutionary terrorist organization. This story is a theatrical imagining based on those events. The Woman narrates through “intrusive memory,” a symptom of PTSD, grappling with an ever-present series of moments in her life as the play moves in time and place via fragmentary scenes in a variety of locations. The Man shifts kaleidoscopically between roles including FARC commanders and guards; the Woman’s deceased father; her children, who are growing up without her; God; and her lover, a fellow hostage.
- Cast Size: 1M 1W
- Running Time: 90+ minutes
- Royalty Rate: $75 per performance
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About the Playwright
CATHERINE FILLOUX is an award-winning French American playwright and librettist who has been writing about human rights for many decades. Filloux’s play “How to Eat an Orange” was commissioned by INTAR, with the premiere at La MaMa in New York City. “White Savior” is nominated for The Venturous Play List. Catherine’s plays have been produced around the U.S. and internationally including: her livestream web drama “turning your body into a compass” at CultureHub, NYC; “whatdoesfreemean?” at Nora’s Playhouse, NYC; “Kidnap Road”, La MaMa, NYC; “Selma ‘65”, La MaMa and U.S. tour; “Luz”, La MaMa and Looking for Lilith in Louisville, KY.
“Dog and Wolf” (59E59 Theaters/Watson Arts, NYC and “Dog and Wolf” Community Outreach Project.); “Killing the Boss” (Cherry Lane Theatre, NYC); “Lemkin’s House” (Rideau de Bruxelles, Belgium; McGinn-Cazale Theatre & 78th Street Theatre Lab, NYC; Kamerni teatar 55, Sarajevo, Bosnia); “The Beauty Inside” (New Georges, NYC and InterAct, Philadelphia; also translated into Arabic for a workshop at ISADAC in Rabat, Morocco; and produced in Iraq, in Kurdish by ArtRole.) “Eyes of the Heart” (National Asian American Theatre Co., NYC); “Silence of God” (Contemporary American Theater Festival [CATF], WV); “Mary and Myra” (CATF and Todd Mountain Theater, NY); “Arthur’s War” (commissioned by Theatreworks/ USA, NYC); “Photographs From S-21”, a short play produced throughout the world; “Escuela del Mundo” (commissioned by The Ohio State University, Columbus, and Ohio tour.)
Filloux is the librettist for four produced operas: “New Arrivals” (Houston Grand Opera, composer John Glover); “Where Elephants Weep” (Chenla Theatre, Phnom Penh, Cambodia, composer Him Sophy) and broadcast on national television in Cambodia; “The Floating Box” (Asia Society, NYC, composer Jason Kao Hwang) an Opera News Critic’s Choice and released by New World Records. Catherine is co-librettist with composer Olga Neuwirth for the opera “Orlando” which premiered at the Vienna State Opera and is a Grawemeyer Award winner. Filloux’s new musical “Welcome to the Big Dipper” (composer Jimmy Roberts, co-book writer John Daggett) was a National Alliance for Musical Theatre finalist and received a workshop at the Redhouse Arts Center in Syracuse, NY. Opera in development: Thresh’s “L’Orient” (composer Kamala Sankaram, choreographer Preeti Vasudevan.)
Catherine has traveled for her plays to Bosnia, Cambodia, Guatemala, Haiti, Iraq, Morocco, and to Sudan and South Sudan on an overseas reading tour with the University of Iowa’s International Writing Program; Filloux was invited to Belfast, Northern Ireland for the Henry Smith Artist in Residence Programme with The Derry Playhouse. She served as a Juror for Sarajevo’s MES International Theater Festival and developed the Oral History Project “A Circle of Grace” with the Cambodian Women’s Group at St. Rita’s Refugee Center in Bronx, NY. Her plays have been widely anthologized and written about. Filloux was the Playwright Facilitator for the International Playwright Retreat at La MaMa Umbria in Italy and is a Fulbright Senior Specialist. She received her French Baccalaureate in Philosophy with Honors in Toulon, France, and her M.F.A. at New York University, Tisch School of the Arts, Goldberg Department of Dramatic Writing, NYC. Catherine is featured in the documentary film “Acting Together on the World Stage” and is the co-founder of Theatre Without Borders.
ALSO BY CATHERINE FILLOUX